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Randolph pictured the spheres, divisions, zones, and sections of the spirit world in elaborate detail, including their distinctive environments, architecture, and cultural institutions. The appearance of each sphere, he explains, corresponds to the spiritual development of its inhabitants, because they are a “projection” from the “souls who dwell together and create their have scenery and surrounding”. Randolph means this quite literally: in the spirit worlds, “each thought possesses an inherent vitality of its own, as also build, proportion, and coherence”; in short, spirit worlds are made of palpable ideas. As such, they enclose both familiar forms of animal life and “entirely different” ones that embody “some salient and positive love, principle, or affection”. Human souls look appreciate earthly people but instead of blood, “only a pure, white, or colorless electric current” courses through them. They wear clothes and have no lousy teeth or saliva. They move through space using magnetism. They have buildings, cities, schools, art, harmony, and more “fun” than we do. They also have better sex, for “up there, and there only, can its immersive mysteries be fully established, its keener joys be felt!”