Alemao gay
They are both very cheerful in spite of their circumstances.
I'm just happy to be back running.
The lad was so bright and animated.
I'm glad I decided to go after all.
She had a sweet, lively personality.
He is sparkling and versatile in front of the camera.
The staff wear big sunny smiles.
She was a jolly, kindhearted woman.
Everyone became more animated.
merry
upbeat (informal)
She was in a buoyant mood.
He is loved by everyone for his cheery disposition and sense of humour.
a joyous celebration of life
We're a very joyful people.
She remembered her years of carefree youth.
The novel is altogether jauntier than these quotations imply.
You're very chirpy today - have you won the lottery or something?
a gorgeous, vivacious and charming new woman
Father Whittaker appeared to be in a jovial mood.
He took a gleeful delight in proving
Return to Paris: Thomas Ostermeier and the performatization of the gay identity
CONTEMPORARY TOPICS III • Rev. Bras. Estud. Presença 12 (2) • 2022 • https://doi.org/10.1590/2237-2660110895linkcopy
AuthorshipSCIMAGO INSTITUTIONS RANKINGS
ABSTRACT
In his productions, the German director Thomas Ostemeier proposes a sociological approach that seeks to introduce our contemporary age’s social relations and power structures. What are the obstacles to achieving these goals when the focus rests on the intersection of the axes of oppression through race, class and gender? This essay investigates the contradictions essential in Ostermeier’s self-declared sociological realism, reflecting on the plays Retour à Reims[Return to Reims] (2019) and Histoire de la Violence[History of Violence] (2020), based on the homonymous literary works by Didier Eribon and Édouard Louis, respectively.
Keywords:
German Theater; Thomas Ostermeier; Queer Studies; Contemporary Theater
RESUMO
Em seus espetáculos, o diretor alemão Thomas Ostermeier propõe uma abordagem sociológica que procura encenar as relações e as estruturas de poder de nossa contemporaneidade. Quais são os obstáculos à concre